|
|
Roscolux #3410: Roscosun 1/8 CTO
Converts 5500K to 4900K
(Transmission not available).
|
|
|
Roscolux #3409: Roscosun 1/4 CTO
Converts 5500K to 4500K
(Transmission not available).
|
|
|
Roscolux #3408: Roscosun 1/2 CTO
Converts 500K to 3800K
(Transmission not available).
|
|
|
Roscolux #3411: Roscosun 3/4 CTO
(Transmission = 58%).
|
|
|
Roscolux #3407: Roscosun CTO
Converts 5500K to 2900K
(Transmission not available).
|
|
|
Roscolux #3444: Eighth Straw 1/8 CTS
(Transmission = 92%).
|
|
|
Roscolux #3443: Quarter Straw ¼ CTS
(Transmission = 81%).
|
|
|
Roscolux #3442: Half Straw ½ CTS
(Transmission = 73%).
|
|
|
Roscolux #3441: Full Straw CTS
(Transmission = 50%).
|
|
|
Roscolux #3405: Roscosun 85N.3
(Transmission = 33%).
|
|
|
Roscolux #3406: Roscosun 85N.6
(Transmission = 17%).
|
|
|
Roscolux #4515: CalColor 15 Yellow
(Transmission = 80%).
|
|
|
Roscolux #4530: CalColor 30 Yellow
(Transmission = 75%).
|
|
|
Roscolux #4560: CalColor 60 Yellow
(Transmission = 70%).
|
|
|
Roscolux #4590: CalColor 90 Yellow
(Transmission = 66%).
|
|
|
Roscolux #2002: Storaro Orange
(Transmission = 23%).
|
|
|
Roscolux #2003: Storaro Yellow
(Transmission = 64%).
|
|
|
Roscolux #4615: CalColor 15 Red
(Transmission = 67%).
|
|
|
Roscolux #4630: CalColor 30 Red
(Transmission = 55%).
|
|
|
Roscolux #4660: CalColor 60 Red
(Transmission = 39%).
|
|
|
Roscolux #4690: CalColor 90 Red
(Transmission = 30%).
|
|
|
Roscolux #4815: CalColor 15 Pink
(Transmission = 71%).
|
|
|
Roscolux #4830: CalColor 30 Pink
(Transmission = 61%).
|
|
|
Roscolux #4860: CalColor 60 Pink
(Transmission = 46%).
|
|
|
Roscolux #4890: CalColor 90 Pink
(Transmission = 38%).
|
|
|
Roscolux #3318: Tough 1/8 Minusgreen
Partial green absorbing filter.
(Transmission not available).
|
|
|
Roscolux #3314: Tough 1/4 Minusgreen
Partial green absorbing filter.
(Transmission not available).
|
|
|
Roscolux #3313: Tough 1/2 Minusgreen
Partial green absorbing filter.
(Transmission not available).
|
|
|
Roscolux #3308: Tough Minusgreen
Converts cool white flourescents to daylight.
(Transmission not available).
|
|
|
Roscolux #4715: CalColor 15 Magenta
(Transmission = 65%).
|
|
|
Roscolux #4730: CalColor 30 Magenta
(Transmission = 52%).
|
|
|
Roscolux #4760: CalColor 60 Magenta
(Transmission = 37%).
|
|
|
Roscolux #4790: CalColor 90 Magenta
(Transmission = 28%).
|
|
|
Roscolux #4915: CalColor 15 Lavender
(Transmission = 61%).
|
|
|
Roscolux #4930: CalColor 30 Lavender
(Transmission = 47%).
|
|
|
Roscolux #4960: CalColor 60 Lavender
(Transmission = 29%).
|
|
|
Roscolux #4990: CalColor 90 Lavender
(Transmission = 18%).
|
|
|
Roscolux #3216: Eighth Blue
Boosts 3200K to 3300K
(Transmission not available).
|
|
|
Roscolux #3208: Quarter Blue
Boosts 3200K to 3500K
(Transmission not available).
|
|
|
Roscolux #3206: Third Blue
Boosts 3200K to 3800K
(Transmission not available).
|
|
|
Roscolux #3204: Half Blue
Boosts 3200K to 4100K
(Transmission not available).
|
|
|
Roscolux #3203: Three Quarter Blue
(Transmission = 41%).
|
|
|
Roscolux #3202: Full Blue
Boosts 3200K to 5500K
(Transmission not available).
|
|
|
Roscolux #3220: Double Blue
(Transmission = 10%).
|
|
|
Roscolux #4215: CalColor 15 Blue
(Transmission = 57%).
|
|
|
Roscolux #4230: CalColor 30 Blue
(Transmission = 42%).
|
|
|
Roscolux #4260: CalColor 60 Blue
(Transmission = 24%).
|
|
|
Roscolux #4290: CalColor 90 Blue
(Transmission = 15%).
|
|
|
Roscolux #2007: VS Blue
(Transmission = 10%).
|
|
|
Roscolux #2008: Storaro Indigo
(Transmission = 4%).
|
|
|
Roscolux #2009: Storaro Violet
(Transmission = 3%).
|
|
|
Roscolux #4315: CalColor 15 Cyan
(Transmission = 72%).
|
|
|
Roscolux #4330: CalColor 30 Cyan
(Transmission = 63%).
|
|
|
Roscolux #4360: CalColor 60 Cyan
(Transmission = 50%).
|
|
|
Roscolux #4390: CalColor 90 Cyan
(Transmission = 39%).
|
|
|
Roscolux #3317: Tough 1/8 Plusgreen
Adds partial green to balance with flourescents.
(Transmission not available).
|
|
|
Roscolux #3316: Tough 1/4 Plusgreen
Adds partial green to balance with flourescents.
(Transmission not available).
|
|
|
Roscolux #3315: Tough 1/2 Plusgreen
Adds partial green to balance with flourescents.
(Transmission not available).
|
|
|
Roscolux #3304: Tough Plusgreen
To balance daylight sources to cool white flourescents.
(Transmission not available).
|
|
|
Roscolux #4415: CalColor 15 Green
(Transmission = 67%).
|
|
|
Roscolux #4430: CalColor 30 Green
(Transmission = 52%).
|
|
|
Roscolux #4460: CalColor 60 Green
(Transmission = 32%).
|
|
|
Roscolux #4490: CalColor 90 Green
(Transmission = 18%).
|
|
|
Roscolux #2004: Storaro Green
(Transmission = 15%).
|
|
|
Roscolux #00: Clear
A durable, heat resistant polycarbonate film used in the preparation of
color scrollers to allow the passage from a color to clear.
(Transmission = 100%).
|
|
|
Roscolux #01: Light Bastard Amber
Enhances fair skin tones. Suggests strong sunlight.
(Transmission = 56%).
|
|
|
Roscolux #02: Bastard Amber
Good where a tint of color is needed. Excellent for natural skin tones.
(Transmission = 78%).
|
|
|
Roscolux #03: Dark Bastard Amber
Most saturated Bastard Amber.
(Transmission = 62%).
|
|
|
Roscolux #303: Warm Peach
NEW!
Heavier Amber-pink tint. Useful to create warm sunlight.
(Transmission = 55%).
|
|
|
Roscolux #04: Medium Bastard Amber
Especially useful when cross lit with a cool color. Excellent for natural sunlight.
(Transmission = 66%).
|
|
|
Roscolux #304: Pale Apricot
A peach amber. More yellow than 305.
(Transmission = 79%).
|
|
|
Roscolux #05: Rose Tint
A clean pale pink; useful as a blush for skin tones.
(Transmission = 80%).
|
|
|
Roscolux #305: Rose Gold
A pale blush amber for skin tones and backlight.
(Transmission = 75%).
|
|
|
Roscolux #06: No Color Straw
Slightly off white. Good for interiors.
(Transmission = 92%).
|
|
|
Roscolux #07: Pale Yellow
Double saturation of 06.
(Transmission = 96%).
|
|
|
Roscolux #08: Pale Gold
Warmer straw. Flattering to skin tones.
(Transmission = 86%).
|
|
|
Roscolux #09: Pale Amber Gold
Deep straw. Good for late afternoon sunsets or firelight.
(Transmission = 74%).
|
|
|
Roscolux #10: Medium Yellow
Yellow with green. Good for special effects. Unflattering in acting areas.
(Transmission = 92%).
|
|
|
Roscolux #310: Daffodil
A soft medium yellow. Can be used for creating naturalistic effects such as early morning sunlight or for special effects.
(Transmission = 82%).
|
|
|
Roscolux #11: Light Straw
Pale yellow with slight red content. Useful for candle effects. Can be used for area lighting. For bright day feeling.
(Transmission = 82%).
|
|
|
Roscolux #12: Straw
Greener yellow than 10. Special effects and accents. Use with caution on skin tones.
(Transmission = 88%).
|
|
|
Roscolux #312: Canary
Warmer than 10. A bright, vibrant yellow that evokes exotic sunlight. Use with caution on skin.
(Transmission = 85%).
|
|
|
Roscolux #13: Straw Tint
Much less green than in other straws. Suggests warm sunlight glow when contrasted with ambers and blues.
(Transmission = 78%).
|
|
|
Roscolux #313: Light Relief Yellow
NEW!
Vibrant Yellow. More red than 312. Less green than all other yellows.
(Transmission = 77%).
|
|
|
Roscolux #14: Medium Straw
Pale amber-higher red content than 12. Sunlight, accents, area lighting with caution to skin tones.
(Transmission = 68%).
|
|
|
Roscolux #15: Deep Straw
Warm golden amber with some green. Useful for special effects-candlelight, firelight.
(Transmission = 65%).
|
|
|
Roscolux #16: Light Amber
Excellent area light. Light pink-amber tint. Safe for most light skin tones.
(Transmission = 68%).
|
|
|
Roscolux #316: Gallo Gold
A pale reddish gold, good for creating sunrise or sunset, or simulating
incandescent light. A flattering naturalistic backlight color. Can be
used for warm area lighting. (Transmission = 58%).
|
|
|
Roscolux #17: Light Flame
Heavier pink-amber tint. Useful for dance. Especially useful when
balanced with a cool color. Good general warm tint in striplights.
(Transmission = 56%).
|
|
|
Roscolux #317: Apricot
A rosy amber which produces a romantic sunset color. Useful as sidelight or backlight color.
(Transmission = 51%).
|
|
|
Roscolux #18: Flame
Warm pinkish amber. Afternoon sunset. Good sidelight.
(Transmission = 56%).
|
|
|
Roscolux #318: Mayan Sun
A medium salmon color which evokes feeling of a tropical island. A good
sunset color. Interesting backlight and accent color. Good for warm
tonal effects. (Transmission = 52%).
|
|
|
Roscolux #19: Fire
Strong red amber. Excellent for fire effects.
(Transmission = 20%).
|
|
|
Roscolux #20: Medium Amber
Afternoon sunlight. Lamplight and candlelight. Tends to depress color pigment values.
(Transmission = 54%).
|
|
|
Roscolux #21: Golden Amber
Useful for amber cyc light and late sunsets.
(Transmission = 43%).
|
|
|
Roscolux #321: Soft Golden Amber
An amber with some green content. A good sunlight transition color that
shows the progression of the sun from white or yellow to amber later in
the day. (Transmission = 39%).
|
|
|
Roscolux #22: Deep Amber
Very useful as a backlight. Dramatic specials and firelight.
(Transmission = 26%).
|
|
|
Roscolux #23: Orange
Provides a romantic sunlight through windows for evening effects.
(Transmission = 32%).
|
|
|
Roscolux #24: Scarlet
Very deep amber. Red with a touch of blue.
(Transmission = 22%).
|
|
|
Roscolux #324: Gypsy Red
NEW!
Vibrant orange-red. Helps red and orange scenery pop.
(Transmission = 31%).
|
|
|
Roscolux #25: Orange Red
Good for firelight or special effects. Use when red with higher yellow content is needed.
(Transmission = 14%).
|
|
|
Roscolux #26: Light Red
Vibrant red. Good alternative primary.
(Transmission = 12%).
|
|
|
Roscolux #27: Medium Red
Good red primary for use with three-color light primary systems in cyclorama lighting, footlights, and border lights.
(Transmission = 4%).
|
|
|
Roscolux #30: Light Salmon Pink
Excellent for general area washes. Gives overall warming effect to skin tones.
(Transmission = 44%).
|
|
|
Roscolux #31: Salmon Pink
General wash. Good for follow spots.
(Transmission = 46%).
|
|
|
Roscolux #331: Shell Pink
NEW!
Warmer and lighter than 31. Good for fair skin tones and to emphasize romance.
(Transmission = 68%).
|
|
|
Roscolux #32: Medium Salmon Pink
Deepest of the salmon pinks.
(Transmission = 28%).
|
|
|
Roscolux #332: Cherry Rose
A tropical pink that is good for musicals or concert lighting. A good
backlight color. Interesting accent color. Good for a splash of sunset
color. (Transmission = 38%).
|
|
|
Roscolux #33: No Color Pink
A pale almost colorless pink.
(Transmission = 65%).
|
|
|
Roscolux #333: Blush Pink
A pink tint that is excellent for most skin tones. A good color for warm area lighting. Lighter than 33.
(Transmission = 71%).
|
|
|
Roscolux #34: Flesh Pink
Useful for bright musicals. Creates a happy atmosphere.
(Transmission = 45%).
|
|
|
Roscolux #35: Light Pink
Similar to 33, but slightly deeper.
(Transmission = 66%).
|
|
|
Roscolux #36: Medium Pink
Good for general washes and cross lighting.
(Transmission = 46%).
|
|
|
Roscolux #336: Billinton Pink
(Transmission = 48%).
|
|
|
Roscolux #37: Pale Rose Pink
Blue Pink, Use in general washes and toning.
(Transmission = 56%).
|
|
|
Roscolux #337: True Pink
A cool pink excellent for washes and general illumination. A good follow spot color. A component of early morning sunrise.
(Transmission = 55%).
|
|
|
Roscolux #38: Light Rose
Similar uses as 37, but with greater saturation.
(Transmission = 49%).
|
|
|
Roscolux #39: Skelton Exotic Sangria
(Transmission = 10%).
|
|
|
Roscolux #339: Broadway Pink
A deep, saturated pink created for musicals and specials. Excellent for down and backlighting.
(Transmission = 15%).
|
|
|
Roscolux #40: Light Salmon
Similar uses to 23 but a bluer color.
(Transmission = 34%).
|
|
|
Roscolux #41: Salmon
Light orange with high blue content.
(Transmission = 24%).
|
|
|
Roscolux #42: Deep Salmon
More red than 342.
(Transmission = 8%).
|
|
|
Roscolux #342: Rose Pink
Extremely intense, hot pink. Produces strong washes of color for
concert and dance. Combined with a complimentary color like turquoise,
will create a dynamic, sculptured effect. (Transmission = 16%).
|
|
|
Roscolux #43: Deep Pink
Rich, hot pink. Electric in effect with rich saturation.
(Transmission = 28%).
|
|
|
Roscolux #343: Neon Pink
A bright, dark pink excellent for musicals or rock and roll concert
lighting. A good color for creating fake neon effects with fluorescent
tubes. (Transmission = 33%).
|
|
|
Roscolux #44: Middle Rose
Musical pink. Lush accents. Very versatile color.
(Transmission = 26%).
|
|
|
Roscolux #344: Follies Pink
A vibrant, almost fluorescent pink with a cool component. Traditionally
important as a special effects color in the Broadway musical. Follow
spot and dance applications as a modeling color. (Transmission = 21%).
|
|
|
Roscolux #45: Rose
Use on scenery and background effects. Adds tone and modeling to scenery.
(Transmission = 8%).
|
|
|
Roscolux #46: Magenta
Similar uses as 45 where more saturation is needed. (Trans.= 6%).
(Transmission = 6%).
|
|
|
Roscolux #346: Tropical Magenta
(Transmission = 22%).
|
|
|
Roscolux #47: Light Rose Purple
Good for eerie or dramatic effects. Beautiful backlight color.
(Transmission = %).
|
|
|
Roscolux #347: Belladonna Rose
NEW!
Powerful magenta-purple. Good effects filter for dance.
(Transmission = 6%).
|
|
|
Roscolux #48: Rose Purple
Pale evening color. Excellent for backlight.
(Transmission = 16%).
|
|
|
Roscolux #348: Purple Jazz
NEW!
A dusky purple. Good for simulating purple neon or old night club atmosphere.
(Transmission = 14%).
|
|
|
Roscolux #49: Medium Purple
Darkest of the magenta purple range.
(Transmission = 4%).
|
|
|
Roscolux #349: Fischer Fuchsia
A medium fuchsia good for special effects. An interesting backlight or accent color.
(Transmission = 11%).
|
|
|
Roscolux #50: Mauve
Subdued sunset effect. Useful in backlights. To create seedy atmosphere.
(Transmission = 14%).
|
|
|
Roscolux #51: Surprise Pink
Touch of color when white light is not desirable.
(Transmission = 54%).
|
|
|
Roscolux #351: Lavender Mist
(Transmission = 61%).
|
|
|
Roscolux #52: Light Lavender
Excellent for general area or border light washes. It is a basic followspot color.
(Transmission = 26%).
|
|
|
Roscolux #53: Pale Lavender
Use when a touch of color is needed.
(Transmission = 64%).
|
|
|
Roscolux #353: Lilly Lavender
NEW!
Same intensity as 55 with more red content.
(Transmission = 29%).
|
|
|
Roscolux #54: Special Lavender
Same as 53, but warmer. Useful for beams of realistic moonlight.
(Transmission = 50%).
|
|
|
Roscolux #55: Lilac
Same as 53, but cooler.
(Transmission = 37%).
|
|
|
Roscolux #355: Pale Violet
A cool lavender which acts as a neutral in a three color area lighting
system. Will work well as a wash for drops or set pieces. Tones the
space. Effective as moonlight shadows. (Transmission = 20%).
|
|
|
Roscolux #56: Gypsy Lavender
Highly saturated, good for side and backlighting and non-realistic effect.
(Transmission = 4%).
|
|
|
Roscolux #356: Middle Lavender
A lavender halfway between 52 and 57 in hue and value. Useful for general illumination and side-lighting.
(Transmission = 27%).
|
|
|
Roscolux #57: Lavender
Excellent backlight. Gives good visibility without destroying night illusions.
(Transmission = 24%).
|
|
|
Roscolux #357: Royal Lavender
A rich lavender which will enhance blue and red costumes and scenic
pieces. Excellent for nightime scenes. Rich, vivid accents, good in
backgrounds. (Transmission = 5%).
|
|
|
Roscolux #58: Deep Lavender
Excellent back light. Enhances dimensionality. (Trans.= 10%).
(Transmission = 10%).
|
|
|
Roscolux #358: Rose Indigo
A warm, red purple that recalls the Jazz Age. Useful for creating
saturated color effects in live performance situations-club and musical
group lighting. (Transmission = 5%).
|
|
|
Roscolux #59: Indigo
The original Congo Blue. A purple-blue, highly saturated, for modeling effects and non-realistic atmospheres.
(Transmission = 2%).
|
|
|
Roscolux #359: Medium Violet
Midnight and moonlight illusions. Enforces mysterious mood. Useful for evening cyc wash.
(Transmission not available).
|
|
|
Roscolux #60: No Color Blue
Helps maintain white light when dimmer is at low intensity.
(Transmission = 62%).
|
|
|
Roscolux #360: Clearwater
The slightest blue tint. Excellent for eliminating amber shift when
lights are running low on a dimmer. Good for cool area light.
(Transmission = 52%).
|
|
|
Roscolux #61: Mist Blue
Excellent for general area washes. Very light cool tint of blue.
(Transmission = 66%).
|
|
|
Roscolux #62: Booster Blue
Helps maintain white light when dimmer is at low intensity.
(Transmission = 54%).
|
|
|
Roscolux #362: Tipton Blue
A soft clean blue. Good choice for cool area lighting. Can also be used
to shift the amber of lamps running at low dimmer levels. (Transmission
= 32%).
|
|
|
Roscolux #63: Pale Blue
Good for creating an overcast look and feeling.
(Transmission = 56%).
|
|
|
Roscolux #363: Aquamarine
A pale blue-green color. Can be used for area lighting. A soft backlight color.
(Transmission = 52%).
|
|
|
Roscolux #64: Light Steel Blue
Useful for beams of realistic moonlight.
(Transmission = 2%).
|
|
|
Roscolux #364: Blue Bell
A clean light red blue. Creates naturalistic daylight fill color. Good cool area light.
(Transmission = 32%).
|
|
|
Roscolux #65: Daylight Blue
Useful for achieving depressed moods and dull skies.
(Transmission = 35%).
|
|
|
Roscolux #365: Tharon Delft Blue
Clean blue with more red than 364. A true color correction filter for
film. Converts 3200°K to 5500°K. Good for area light. (Transmission =
36%).
|
|
|
Roscolux #366: Jordan Blue
NEW!
More green than 65. A crisp light blue-green.
(Transmission = 32%).
|
|
|
Roscolux #66: Cool Blue
A pale green shade of blue; good for area or general washes. Creates an icy feeling on stage.
(Transmission = 67%).
|
|
|
Roscolux #67: Light Sky Blue
Excellent sky color. Useful for cyc and border lights.
(Transmission = 26%).
|
|
|
Roscolux #367: Slate Blue
Clean medium blue. Good for sky color or moonlight.
(Transmission = 20%).
|
|
|
Roscolux #68: Sky Blue
Excellent for early morning sky tones. Popular among designers for cyc and borders.
(Transmission = 14%).
|
|
|
Roscolux #69: Brilliant Blue
Used for dramatic moonlight effects.
(Transmission = 18%).
|
|
|
Roscolux #369: Tahitian Blue
NEW!
Slightly more green than 69.
(Transmission = 22%).
|
|
|
Roscolux #70: Nile Blue
Useful for very light midday skies. Occasionally used for general cool tint.
(Transmission = 45%).
|
|
|
Roscolux #370: Italian Blue
Good to create eerie and mysterious effects. Good for night time water effects.
(Transmission = 31%).
|
|
|
Roscolux #71: Sea Blue
Occasionally used for general cool tint and non-realistic washes.
(Transmission = 30%).
|
|
|
Roscolux #371: Theatre Booster 1
NEW!
Less red than 3202.
(Transmission = 35%).
|
|
|
Roscolux #72: Azure Blue
A clean slightly green blue. Good moonlight fill.
(Transmission = 44%).
|
|
|
Roscolux #372: Theatre Booster 2
NEW!
Slightly lighter and less red than 3204.
(Transmission = 55%).
|
|
|
Roscolux #73: Peacock Blue
Good for fantasy, moonlight and water effects.
(Transmission = 28%).
|
|
|
Roscolux #373: Theatre Booster 3
NEW!
Slightly lighter and less red than 3208.
(Transmission = 72%).
|
|
|
Roscolux #74: Night Blue
Fantasy moonlight. Crisp and beautiful. Popular as a backlight or sidelight in contrast to area light.
(Transmission = 4%).
|
|
|
Roscolux #374: Sea Green
NEW!
For enhancing water scenes or deep sea environments. Greener than 73.
(Transmission = 26%).
|
|
|
Roscolux #75: Twilight Blue
NEW!
Less green & cresper than 76.
(Transmission = 11%).
|
|
|
Roscolux #76: Light Green Blue
Distinctive greenish blues. Useful for romantic moonlight.
(Transmission = 9%).
|
|
|
Roscolux #376: Bermuda Blue
A soothing green blue. More blue than 76. A good conventional moonlight color. Interesting tonal color.
(Transmission = 6%).
|
|
|
Roscolux #77: Green Blue
Distinctive greenish blues. Useful for romantic moonlight.
(Transmission = 9%).
|
|
|
Roscolux #377: Iris Purple
NEW!
Medium neutral lavendar. Good wash light.
(Transmission = 11%).
|
|
|
Roscolux #78: Trudy Blue
A rich clean red blue that warms to lavender when dimmed.
(Transmission = 19%).
|
|
|
Roscolux #378: Alice Blue
A rich clean red blue that warms to lavender when dimmed.
(Transmission = 15%).
|
|
|
Roscolux #79: Bright Blue
Cool clear bright blue.
(Transmission = 8%).
|
|
|
Roscolux #80: Primary Blue
Primary blue. For use with three color light primary system in cyc lighting.
(Transmission = 9%).
|
|
|
Roscolux #81: Urban Blue
Very cold brittle feeling.
(Transmission = 10%).
|
|
|
Roscolux #82: Surprise Blue
Deep rich blue with slight amount of red.
(Transmission = 6%).
|
|
|
Roscolux #382: Congo Blue
Deep blue more saturated than Roscolux 385. Good for dark night skies
or for a backlight color. A great color for rock and roll concert
lighting. (Transmission = 0.56%).
|
|
|
Roscolux #83: Medium Blue
Good for non-realistic night skies.
(Transmission = 4%).
|
|
|
Roscolux #383: Sapphire Blue
A deep romantic blue on the red side.
(Transmission = 4%).
|
|
|
Roscolux #84: Zephyr Blue
A true blue with excellent punch for bright skies. Lovely contrast to pale blues; adds coldness to shadows.
(Transmission = 14%).
|
|
|
Roscolux #384: Midnight Blue
NEW!
An intense red-blue. Deeper than 83 with a little more red.
(Transmission = 2%).
|
|
|
Roscolux #85: Deep Blue
Deeply saturated blue with a hint of red.
(Transmission = 3%).
|
|
|
Roscolux #385: Royal Blue
Excellent for non-realistic backgrounds. A very saturated blue.
Pronounced red content that will shift toward purple when dimmed. Low
transmission but will offer a striking contrast when used as a
background with lighter accents. (Transmission = 4%).
|
|
|
Roscolux #86: Pea Green
Good for dense foliage and woodland effects.
(Transmission = 56%).
|
|
|
Roscolux #386: Leaf Green
(Transmission = 32%).
|
|
|
Roscolux #87: Pale Yellow Green
Sunny spring mornings.
(Transmission = 85%).
|
|
|
Roscolux #88: Light Green
Sunny spring mornings.
(Transmission = 82%).
|
|
|
Roscolux #388: Gaslight Green
A yellow-green similar to the color emitted by gas lighting fixtures.
Appropriate for period pieces: i.e. La Boheme, and useful for creating
reflections from fields and meadows. (Transmission = 76%).
|
|
|
Roscolux #89: Moss Green
Useful for mood, mystery and toning.
(Transmission = 45%).
|
|
|
Roscolux #389: Chroma Green
Suggests reflected light from dense foliage. A brilliant cyc lighting
color which will work for chroma-keying effects in television
production (Transmission = 40%).
|
|
|
Roscolux #90: Dark Yellow Green
Alternate primary where higher transmission is desired.
(Transmission = 13%).
|
|
|
Roscolux #91: Primary Green
Primary green for three color primary system.
(Transmission = 7%).
|
|
|
Roscolux #92: Turquoise
Useful for mood of mystery and for toning scenery that has been spattered in blues.
(Transmission = 59%).
|
|
|
Roscolux #392: Pacific Green
NEW!
Cyc Wash. Good Costume color. Magical on skin.
(Transmission = 20%).
|
|
|
Roscolux #93: Blue Green
Useful for mood of mystery and for toning scenery that has been spattered in blues.
(Transmission = 35%).
|
|
|
Roscolux #393: Emerald Green
NEW!
An exagerrated green. Nearly double intensity as 93, less blue than 95.
(Transmission = 14%).
|
|
|
Roscolux #94: Kelly Green
Fantasy and unrealistic effects. Unflattering on skin tones.
(Transmission = 25%).
|
|
|
Roscolux #95: Medium Green
Used on foliage in moonlight areas or for creating a mood of mystery.
Good for toning scenery painted in blues, blue-greens and greens.
(Transmission = 15%).
|
|
|
Roscolux #395: Teal Green
A medium green-blue which can be used as a mystical special effect
color. Also an interesting side or backlight color in concert lighting.
(Transmission = 13%).
|
|
|
Roscolux #96: Lime
To simulate unnatural sunlight before and after a rainstorm or tornado.
(Transmission = 98%).
|
|
|
Roscolux #97: Light Grey
Neutral greys to reduce intensity without affecting color temperature.
(Transmission = 50%).
|
|
|
Roscolux #397: Pale Grey
A half stop neutral density.
(Transmission = 70%).
|
|
|
Roscolux #98: Medium Grey
Helpful in balancing brightness of lamps of different wattage.
(Transmission = 25%).
|
|
|
Roscolux #398: Neutral Grey
NEW!
A very neutral filter to balance brightness of lamps of different wattage without changing the color temperature.
(Transmission = 40%).
|
|
|
Roscolux #99: Chocolate
Warms light and reduces intensity.
(Transmission = 35%).
|
|
|
Roscolux #100: Frost
Frost. Changes ellipsoidal to fresnel beam pattern.
(Transmission not available).
|
|
|
Roscolux #101: Light Frost
Offers softened beam.Changes ellipsoidal into flood or scoop.
(Transmission not available).
|
|
|
Roscolux #102: Light Tough Frost
Changes ellipsoidal into flood or scoop.
(Transmission not available).
|
|
|
Roscolux #103: Tough Frost
Has twin qualities of wide diffusion and warm center.
(Transmission not available).
|
|
|
Roscolux #104: Tough Silk
Creates a slash of light for stretching light along stairs, tables,
cycs, etc. Diffuses while maintaining compactness of beam.
(Transmission not available).
|
|
|
Roscolux #105: Tough Spun
Good on scoops for cyc lighting.
(Transmission not available).
|
|
|
Roscolux #106: Light Tough Spun
Removes lens shadows.
(Transmission not available).
|
|
|
Roscolux #111: Tough Rolux
Densest diffusion of the series. Spreads the light almost 1800.
(Transmission not available).
|
|
|
Roscolux #112: Opal Tough Frost
Lighter than 100-103. An excellent diffuser for HMI, CID and CSI
sources softening the beam slightly while maintaining excellent
transmission. (Transmission not available).
|
|
|
Roscolux #113: Matte Silk
Good for striplights and specials.
(Transmission not available).
|
|
|
Roscolux #114: Hamburg Frost
A very light frost; good on followspots and PAR lamps.
(Transmission not available).
|
|
|
Roscolux #115: Light Tough Rolux
(Transmission not available).
|
|
|
Roscolux #116: Tough White Diffusion
A range of diffusion materials adapted from cinematography-used for
softening the shadow of the beam while maintaining a relatively high
color temperature because of the use of ultra-white pigments in the
manufacturing process. (Transmission not available).
|
|
|
Roscolux #117: Tough 1/2 White Diffusion
A range of diffusion materials adapted from cinematography-used for
softening the shadow of the beam while maintaining a relatively high
color temperature because of the use of ultra-white pigments in the
manufacturing process. (Transmission not available).
|
|
|
Roscolux #118: Tough 1/4 White Diffusion
A range of diffusion materials adapted from cinematography-used for
softening the shadow of the beam while maintaining a relatively high
color temperature because of the use of ultra-white pigments in the
manufacturing process. (Transmission not available).
|
|
|
Roscolux #119: Light Hamburg Frost
Lighter than 114. Recommended for followspots and slight diffuse focus for ellipsoldals.
(Transmission not available).
|
|
|
Roscolux #120: Red Diffusion
Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops.
(Transmission = 12%).
|
|
|
Roscolux #121: Blue Diffusion
Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops.
(Transmission = 8%).
|
|
|
Roscolux #122: Green Diffusion
Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops.
(Transmission = 13%).
|
|
|
Roscolux #124: Red Cyc Silk
Combine a color with 104 Tough Silk.
(Transmission = 12%).
|
|
|
Roscolux #125: Blue Cyc Silk
Useful in border and striplights to prevent scalloping; helps illuminate cycs and drops.
(Transmission = 8%).
|
|
|
Roscolux #126: Green Cyc Silk
Useful in border and striplights to prevent scalloping; helps illuminate cycs and drops.
(Transmission = 13%).
|
|
|
Roscolux #127: Amber Cyc Silk
A secondary color combined with 104 Tough Silk.
(Transmission = 32%).
|
|
|
Roscolux #132: Quarter Hamburg Frost
(Transmission not available).
|
|
|
Roscolux #140: Subtle Hamburg Frost
NEW!
(Transmission not available).
|
|
|
Roscolux #160: Light Tough Silk
Retains the diffusion properties of 104 but with less light loss.
(Transmission not available).
|
|
|
Roscolux #162: Light Opal
A lighter version on the popular 112 Opal Tough Frost.
(Transmission not available).
|
|
|
Roscolux #163: Powder Frost
A good medium cosmetic diffuser.
(Transmission not available).
|