Color Effects Filters
 
Roscolux #3410: Roscosun 1/8 CTO
Converts 5500K to 4900K (Transmission not available).
 
Roscolux #3409: Roscosun 1/4 CTO
Converts 5500K to 4500K (Transmission not available).
 
Roscolux #3408: Roscosun 1/2 CTO
Converts 500K to 3800K (Transmission not available).
 
Roscolux #3411: Roscosun 3/4 CTO
(Transmission = 58%).
 
Roscolux #3407: Roscosun CTO
Converts 5500K to 2900K (Transmission not available).
 
Roscolux #3444: Eighth Straw 1/8 CTS
(Transmission = 92%).
 
Roscolux #3443: Quarter Straw ¼ CTS
(Transmission = 81%).
 
Roscolux #3442: Half Straw ½ CTS
(Transmission = 73%).
 
Roscolux #3441: Full Straw CTS
(Transmission = 50%).
 
Roscolux #3405: Roscosun 85N.3
(Transmission = 33%).
 
Roscolux #3406: Roscosun 85N.6
(Transmission = 17%).
 
Roscolux #4515: CalColor 15 Yellow
(Transmission = 80%).
 
Roscolux #4530: CalColor 30 Yellow
(Transmission = 75%).
 
Roscolux #4560: CalColor 60 Yellow
(Transmission = 70%).
 
Roscolux #4590: CalColor 90 Yellow
(Transmission = 66%).
 
Roscolux #2002: Storaro Orange
(Transmission = 23%).
 
Roscolux #2003: Storaro Yellow
(Transmission = 64%).
 
Roscolux #4615: CalColor 15 Red
(Transmission = 67%).
 
Roscolux #4630: CalColor 30 Red
(Transmission = 55%).
 
Roscolux #4660: CalColor 60 Red
(Transmission = 39%).
 
Roscolux #4690: CalColor 90 Red
(Transmission = 30%).
 
Roscolux #4815: CalColor 15 Pink
(Transmission = 71%).
 
Roscolux #4830: CalColor 30 Pink
(Transmission = 61%).
 
Roscolux #4860: CalColor 60 Pink
(Transmission = 46%).
 
Roscolux #4890: CalColor 90 Pink
(Transmission = 38%).
 
Roscolux #3318: Tough 1/8 Minusgreen
Partial green absorbing filter. (Transmission not available).
 
Roscolux #3314: Tough 1/4 Minusgreen
Partial green absorbing filter. (Transmission not available).
 
Roscolux #3313: Tough 1/2 Minusgreen
Partial green absorbing filter. (Transmission not available).
 
Roscolux #3308: Tough Minusgreen
Converts cool white flourescents to daylight. (Transmission not available).
 
Roscolux #4715: CalColor 15 Magenta
(Transmission = 65%).
 
Roscolux #4730: CalColor 30 Magenta
(Transmission = 52%).
 
Roscolux #4760: CalColor 60 Magenta
(Transmission = 37%).
 
Roscolux #4790: CalColor 90 Magenta
(Transmission = 28%).
 
Roscolux #4915: CalColor 15 Lavender
(Transmission = 61%).
 
Roscolux #4930: CalColor 30 Lavender
(Transmission = 47%).
 
Roscolux #4960: CalColor 60 Lavender
(Transmission = 29%).
 
Roscolux #4990: CalColor 90 Lavender
(Transmission = 18%).
 
Roscolux #3216: Eighth Blue
Boosts 3200K to 3300K (Transmission not available).
 
Roscolux #3208: Quarter Blue
Boosts 3200K to 3500K (Transmission not available).
 
Roscolux #3206: Third Blue
Boosts 3200K to 3800K (Transmission not available).
 
Roscolux #3204: Half Blue
Boosts 3200K to 4100K (Transmission not available).
 
Roscolux #3203: Three Quarter Blue
(Transmission = 41%).
 
Roscolux #3202: Full Blue
Boosts 3200K to 5500K (Transmission not available).
 
Roscolux #3220: Double Blue
(Transmission = 10%).
 
Roscolux #4215: CalColor 15 Blue
(Transmission = 57%).
 
Roscolux #4230: CalColor 30 Blue
(Transmission = 42%).
 
Roscolux #4260: CalColor 60 Blue
(Transmission = 24%).
 
Roscolux #4290: CalColor 90 Blue
(Transmission = 15%).
 
Roscolux #2007: VS Blue
(Transmission = 10%).
 
Roscolux #2008: Storaro Indigo
(Transmission = 4%).
 
Roscolux #2009: Storaro Violet
(Transmission = 3%).
 
Roscolux #4315: CalColor 15 Cyan
(Transmission = 72%).
 
Roscolux #4330: CalColor 30 Cyan
(Transmission = 63%).
 
Roscolux #4360: CalColor 60 Cyan
(Transmission = 50%).
 
Roscolux #4390: CalColor 90 Cyan
(Transmission = 39%).
 
Roscolux #3317: Tough 1/8 Plusgreen
Adds partial green to balance with flourescents. (Transmission not available).
 
Roscolux #3316: Tough 1/4 Plusgreen
Adds partial green to balance with flourescents. (Transmission not available).
 
Roscolux #3315: Tough 1/2 Plusgreen
Adds partial green to balance with flourescents. (Transmission not available).
 
Roscolux #3304: Tough Plusgreen
To balance daylight sources to cool white flourescents. (Transmission not available).
 
Roscolux #4415: CalColor 15 Green
(Transmission = 67%).
 
Roscolux #4430: CalColor 30 Green
(Transmission = 52%).
 
Roscolux #4460: CalColor 60 Green
(Transmission = 32%).
 
Roscolux #4490: CalColor 90 Green
(Transmission = 18%).
 
Roscolux #2004: Storaro Green
(Transmission = 15%).
 
Roscolux #00: Clear
A durable, heat resistant polycarbonate film used in the preparation of color scrollers to allow the passage from a color to clear. (Transmission = 100%).
 
Roscolux #01: Light Bastard Amber
Enhances fair skin tones. Suggests strong sunlight. (Transmission = 56%).
 
Roscolux #02: Bastard Amber
Good where a tint of color is needed. Excellent for natural skin tones. (Transmission = 78%).
 
Roscolux #03: Dark Bastard Amber
Most saturated Bastard Amber. (Transmission = 62%).
 
Roscolux #303: Warm Peach NEW!
Heavier Amber-pink tint. Useful to create warm sunlight. (Transmission = 55%).
 
Roscolux #04: Medium Bastard Amber
Especially useful when cross lit with a cool color. Excellent for natural sunlight. (Transmission = 66%).
 
Roscolux #304: Pale Apricot
A peach amber. More yellow than 305. (Transmission = 79%).
 
Roscolux #05: Rose Tint
A clean pale pink; useful as a blush for skin tones. (Transmission = 80%).
 
Roscolux #305: Rose Gold
A pale blush amber for skin tones and backlight. (Transmission = 75%).
 
Roscolux #06: No Color Straw
Slightly off white. Good for interiors. (Transmission = 92%).
 
Roscolux #07: Pale Yellow
Double saturation of 06. (Transmission = 96%).
 
Roscolux #08: Pale Gold
Warmer straw. Flattering to skin tones. (Transmission = 86%).
 
Roscolux #09: Pale Amber Gold
Deep straw. Good for late afternoon sunsets or firelight. (Transmission = 74%).
 
Roscolux #10: Medium Yellow
Yellow with green. Good for special effects. Unflattering in acting areas. (Transmission = 92%).
 
Roscolux #310: Daffodil
A soft medium yellow. Can be used for creating naturalistic effects such as early morning sunlight or for special effects. (Transmission = 82%).
 
Roscolux #11: Light Straw
Pale yellow with slight red content. Useful for candle effects. Can be used for area lighting. For bright day feeling. (Transmission = 82%).
 
Roscolux #12: Straw
Greener yellow than 10. Special effects and accents. Use with caution on skin tones. (Transmission = 88%).
 
Roscolux #312: Canary
Warmer than 10. A bright, vibrant yellow that evokes exotic sunlight. Use with caution on skin. (Transmission = 85%).
 
Roscolux #13: Straw Tint
Much less green than in other straws. Suggests warm sunlight glow when contrasted with ambers and blues. (Transmission = 78%).
 
Roscolux #313: Light Relief Yellow NEW!
Vibrant Yellow. More red than 312. Less green than all other yellows. (Transmission = 77%).
 
Roscolux #14: Medium Straw
Pale amber-higher red content than 12. Sunlight, accents, area lighting with caution to skin tones. (Transmission = 68%).
 
Roscolux #15: Deep Straw
Warm golden amber with some green. Useful for special effects-candlelight, firelight. (Transmission = 65%).
 
Roscolux #16: Light Amber
Excellent area light. Light pink-amber tint. Safe for most light skin tones. (Transmission = 68%).
 
Roscolux #316: Gallo Gold
A pale reddish gold, good for creating sunrise or sunset, or simulating incandescent light. A flattering naturalistic backlight color. Can be used for warm area lighting. (Transmission = 58%).
 
Roscolux #17: Light Flame
Heavier pink-amber tint. Useful for dance. Especially useful when balanced with a cool color. Good general warm tint in striplights. (Transmission = 56%).
 
Roscolux #317: Apricot
A rosy amber which produces a romantic sunset color. Useful as sidelight or backlight color. (Transmission = 51%).
 
Roscolux #18: Flame
Warm pinkish amber. Afternoon sunset. Good sidelight. (Transmission = 56%).
 
Roscolux #318: Mayan Sun
A medium salmon color which evokes feeling of a tropical island. A good sunset color. Interesting backlight and accent color. Good for warm tonal effects. (Transmission = 52%).
 
Roscolux #19: Fire
Strong red amber. Excellent for fire effects. (Transmission = 20%).
 
Roscolux #20: Medium Amber
Afternoon sunlight. Lamplight and candlelight. Tends to depress color pigment values. (Transmission = 54%).
 
Roscolux #21: Golden Amber
Useful for amber cyc light and late sunsets. (Transmission = 43%).
 
Roscolux #321: Soft Golden Amber
An amber with some green content. A good sunlight transition color that shows the progression of the sun from white or yellow to amber later in the day. (Transmission = 39%).
 
Roscolux #22: Deep Amber
Very useful as a backlight. Dramatic specials and firelight. (Transmission = 26%).
 
Roscolux #23: Orange
Provides a romantic sunlight through windows for evening effects. (Transmission = 32%).
 
Roscolux #24: Scarlet
Very deep amber. Red with a touch of blue. (Transmission = 22%).
 
Roscolux #324: Gypsy Red NEW!
Vibrant orange-red. Helps red and orange scenery pop. (Transmission = 31%).
 
Roscolux #25: Orange Red
Good for firelight or special effects. Use when red with higher yellow content is needed. (Transmission = 14%).
 
Roscolux #26: Light Red
Vibrant red. Good alternative primary. (Transmission = 12%).
 
Roscolux #27: Medium Red
Good red primary for use with three-color light primary systems in cyclorama lighting, footlights, and border lights. (Transmission = 4%).
 
Roscolux #30: Light Salmon Pink
Excellent for general area washes. Gives overall warming effect to skin tones. (Transmission = 44%).
 
Roscolux #31: Salmon Pink
General wash. Good for follow spots. (Transmission = 46%).
 
Roscolux #331: Shell Pink NEW!
Warmer and lighter than 31. Good for fair skin tones and to emphasize romance. (Transmission = 68%).
 
Roscolux #32: Medium Salmon Pink
Deepest of the salmon pinks. (Transmission = 28%).
 
Roscolux #332: Cherry Rose
A tropical pink that is good for musicals or concert lighting. A good backlight color. Interesting accent color. Good for a splash of sunset color. (Transmission = 38%).
 
Roscolux #33: No Color Pink
A pale almost colorless pink. (Transmission = 65%).
 
Roscolux #333: Blush Pink
A pink tint that is excellent for most skin tones. A good color for warm area lighting. Lighter than 33. (Transmission = 71%).
 
Roscolux #34: Flesh Pink
Useful for bright musicals. Creates a happy atmosphere. (Transmission = 45%).
 
Roscolux #35: Light Pink
Similar to 33, but slightly deeper. (Transmission = 66%).
 
Roscolux #36: Medium Pink
Good for general washes and cross lighting. (Transmission = 46%).
 
Roscolux #336: Billinton Pink
(Transmission = 48%).
 
Roscolux #37: Pale Rose Pink
Blue Pink, Use in general washes and toning. (Transmission = 56%).
 
Roscolux #337: True Pink
A cool pink excellent for washes and general illumination. A good follow spot color. A component of early morning sunrise. (Transmission = 55%).
 
Roscolux #38: Light Rose
Similar uses as 37, but with greater saturation. (Transmission = 49%).
 
Roscolux #39: Skelton Exotic Sangria
(Transmission = 10%).
 
Roscolux #339: Broadway Pink
A deep, saturated pink created for musicals and specials. Excellent for down and backlighting. (Transmission = 15%).
 
Roscolux #40: Light Salmon
Similar uses to 23 but a bluer color. (Transmission = 34%).
 
Roscolux #41: Salmon
Light orange with high blue content. (Transmission = 24%).
 
Roscolux #42: Deep Salmon
More red than 342. (Transmission = 8%).
 
Roscolux #342: Rose Pink
Extremely intense, hot pink. Produces strong washes of color for concert and dance. Combined with a complimentary color like turquoise, will create a dynamic, sculptured effect. (Transmission = 16%).
 
Roscolux #43: Deep Pink
Rich, hot pink. Electric in effect with rich saturation. (Transmission = 28%).
 
Roscolux #343: Neon Pink
A bright, dark pink excellent for musicals or rock and roll concert lighting. A good color for creating fake neon effects with fluorescent tubes. (Transmission = 33%).
 
Roscolux #44: Middle Rose
Musical pink. Lush accents. Very versatile color. (Transmission = 26%).
 
Roscolux #344: Follies Pink
A vibrant, almost fluorescent pink with a cool component. Traditionally important as a special effects color in the Broadway musical. Follow spot and dance applications as a modeling color. (Transmission = 21%).
 
Roscolux #45: Rose
Use on scenery and background effects. Adds tone and modeling to scenery. (Transmission = 8%).
 
Roscolux #46: Magenta
Similar uses as 45 where more saturation is needed. (Trans.= 6%). (Transmission = 6%).
 
Roscolux #346: Tropical Magenta
(Transmission = 22%).
 
Roscolux #47: Light Rose Purple
Good for eerie or dramatic effects. Beautiful backlight color. (Transmission = %).
 
Roscolux #347: Belladonna Rose NEW!
Powerful magenta-purple. Good effects filter for dance. (Transmission = 6%).
 
Roscolux #48: Rose Purple
Pale evening color. Excellent for backlight. (Transmission = 16%).
 
Roscolux #348: Purple Jazz NEW!
A dusky purple. Good for simulating purple neon or old night club atmosphere. (Transmission = 14%).
 
Roscolux #49: Medium Purple
Darkest of the magenta purple range. (Transmission = 4%).
 
Roscolux #349: Fischer Fuchsia
A medium fuchsia good for special effects. An interesting backlight or accent color. (Transmission = 11%).
 
Roscolux #50: Mauve
Subdued sunset effect. Useful in backlights. To create seedy atmosphere. (Transmission = 14%).
 
Roscolux #51: Surprise Pink
Touch of color when white light is not desirable. (Transmission = 54%).
 
Roscolux #351: Lavender Mist
(Transmission = 61%).
 
Roscolux #52: Light Lavender
Excellent for general area or border light washes. It is a basic followspot color. (Transmission = 26%).
 
Roscolux #53: Pale Lavender
Use when a touch of color is needed. (Transmission = 64%).
 
Roscolux #353: Lilly Lavender NEW!
Same intensity as 55 with more red content. (Transmission = 29%).
 
Roscolux #54: Special Lavender
Same as 53, but warmer. Useful for beams of realistic moonlight. (Transmission = 50%).
 
Roscolux #55: Lilac
Same as 53, but cooler. (Transmission = 37%).
 
Roscolux #355: Pale Violet
A cool lavender which acts as a neutral in a three color area lighting system. Will work well as a wash for drops or set pieces. Tones the space. Effective as moonlight shadows. (Transmission = 20%).
 
Roscolux #56: Gypsy Lavender
Highly saturated, good for side and backlighting and non-realistic effect. (Transmission = 4%).
 
Roscolux #356: Middle Lavender
A lavender halfway between 52 and 57 in hue and value. Useful for general illumination and side-lighting. (Transmission = 27%).
 
Roscolux #57: Lavender
Excellent backlight. Gives good visibility without destroying night illusions. (Transmission = 24%).
 
Roscolux #357: Royal Lavender
A rich lavender which will enhance blue and red costumes and scenic pieces. Excellent for nightime scenes. Rich, vivid accents, good in backgrounds. (Transmission = 5%).
 
Roscolux #58: Deep Lavender
Excellent back light. Enhances dimensionality. (Trans.= 10%). (Transmission = 10%).
 
Roscolux #358: Rose Indigo
A warm, red purple that recalls the Jazz Age. Useful for creating saturated color effects in live performance situations-club and musical group lighting. (Transmission = 5%).
 
Roscolux #59: Indigo
The original Congo Blue. A purple-blue, highly saturated, for modeling effects and non-realistic atmospheres. (Transmission = 2%).
 
Roscolux #359: Medium Violet
Midnight and moonlight illusions. Enforces mysterious mood. Useful for evening cyc wash. (Transmission not available).
 
Roscolux #60: No Color Blue
Helps maintain white light when dimmer is at low intensity. (Transmission = 62%).
 
Roscolux #360: Clearwater
The slightest blue tint. Excellent for eliminating amber shift when lights are running low on a dimmer. Good for cool area light. (Transmission = 52%).
 
Roscolux #61: Mist Blue
Excellent for general area washes. Very light cool tint of blue. (Transmission = 66%).
 
Roscolux #62: Booster Blue
Helps maintain white light when dimmer is at low intensity. (Transmission = 54%).
 
Roscolux #362: Tipton Blue
A soft clean blue. Good choice for cool area lighting. Can also be used to shift the amber of lamps running at low dimmer levels. (Transmission = 32%).
 
Roscolux #63: Pale Blue
Good for creating an overcast look and feeling. (Transmission = 56%).
 
Roscolux #363: Aquamarine
A pale blue-green color. Can be used for area lighting. A soft backlight color. (Transmission = 52%).
 
Roscolux #64: Light Steel Blue
Useful for beams of realistic moonlight. (Transmission = 2%).
 
Roscolux #364: Blue Bell
A clean light red blue. Creates naturalistic daylight fill color. Good cool area light. (Transmission = 32%).
 
Roscolux #65: Daylight Blue
Useful for achieving depressed moods and dull skies. (Transmission = 35%).
 
Roscolux #365: Tharon Delft Blue
Clean blue with more red than 364. A true color correction filter for film. Converts 3200°K to 5500°K. Good for area light. (Transmission = 36%).
 
Roscolux #366: Jordan Blue NEW!
More green than 65. A crisp light blue-green. (Transmission = 32%).
 
Roscolux #66: Cool Blue
A pale green shade of blue; good for area or general washes. Creates an icy feeling on stage. (Transmission = 67%).
 
Roscolux #67: Light Sky Blue
Excellent sky color. Useful for cyc and border lights. (Transmission = 26%).
 
Roscolux #367: Slate Blue
Clean medium blue. Good for sky color or moonlight. (Transmission = 20%).
 
Roscolux #68: Sky Blue
Excellent for early morning sky tones. Popular among designers for cyc and borders. (Transmission = 14%).
 
Roscolux #69: Brilliant Blue
Used for dramatic moonlight effects. (Transmission = 18%).
 
Roscolux #369: Tahitian Blue NEW!
Slightly more green than 69. (Transmission = 22%).
 
Roscolux #70: Nile Blue
Useful for very light midday skies. Occasionally used for general cool tint. (Transmission = 45%).
 
Roscolux #370: Italian Blue
Good to create eerie and mysterious effects. Good for night time water effects. (Transmission = 31%).
 
Roscolux #71: Sea Blue
Occasionally used for general cool tint and non-realistic washes. (Transmission = 30%).
 
Roscolux #371: Theatre Booster 1 NEW!
Less red than 3202. (Transmission = 35%).
 
Roscolux #72: Azure Blue
A clean slightly green blue. Good moonlight fill. (Transmission = 44%).
 
Roscolux #372: Theatre Booster 2 NEW!
Slightly lighter and less red than 3204. (Transmission = 55%).
 
Roscolux #73: Peacock Blue
Good for fantasy, moonlight and water effects. (Transmission = 28%).
 
Roscolux #373: Theatre Booster 3 NEW!
Slightly lighter and less red than 3208. (Transmission = 72%).
 
Roscolux #74: Night Blue
Fantasy moonlight. Crisp and beautiful. Popular as a backlight or sidelight in contrast to area light. (Transmission = 4%).
 
Roscolux #374: Sea Green NEW!
For enhancing water scenes or deep sea environments. Greener than 73. (Transmission = 26%).
 
Roscolux #75: Twilight Blue NEW!
Less green & cresper than 76. (Transmission = 11%).
 
Roscolux #76: Light Green Blue
Distinctive greenish blues. Useful for romantic moonlight. (Transmission = 9%).
 
Roscolux #376: Bermuda Blue
A soothing green blue. More blue than 76. A good conventional moonlight color. Interesting tonal color. (Transmission = 6%).
 
Roscolux #77: Green Blue
Distinctive greenish blues. Useful for romantic moonlight. (Transmission = 9%).
 
Roscolux #377: Iris Purple NEW!
Medium neutral lavendar. Good wash light. (Transmission = 11%).
 
Roscolux #78: Trudy Blue
A rich clean red blue that warms to lavender when dimmed. (Transmission = 19%).
 
Roscolux #378: Alice Blue
A rich clean red blue that warms to lavender when dimmed. (Transmission = 15%).
 
Roscolux #79: Bright Blue
Cool clear bright blue. (Transmission = 8%).
 
Roscolux #80: Primary Blue
Primary blue. For use with three color light primary system in cyc lighting. (Transmission = 9%).
 
Roscolux #81: Urban Blue
Very cold brittle feeling. (Transmission = 10%).
 
Roscolux #82: Surprise Blue
Deep rich blue with slight amount of red. (Transmission = 6%).
 
Roscolux #382: Congo Blue
Deep blue more saturated than Roscolux 385. Good for dark night skies or for a backlight color. A great color for rock and roll concert lighting. (Transmission = 0.56%).
 
Roscolux #83: Medium Blue
Good for non-realistic night skies. (Transmission = 4%).
 
Roscolux #383: Sapphire Blue
A deep romantic blue on the red side. (Transmission = 4%).
 
Roscolux #84: Zephyr Blue
A true blue with excellent punch for bright skies. Lovely contrast to pale blues; adds coldness to shadows. (Transmission = 14%).
 
Roscolux #384: Midnight Blue NEW!
An intense red-blue. Deeper than 83 with a little more red. (Transmission = 2%).
 
Roscolux #85: Deep Blue
Deeply saturated blue with a hint of red. (Transmission = 3%).
 
Roscolux #385: Royal Blue
Excellent for non-realistic backgrounds. A very saturated blue. Pronounced red content that will shift toward purple when dimmed. Low transmission but will offer a striking contrast when used as a background with lighter accents. (Transmission = 4%).
 
Roscolux #86: Pea Green
Good for dense foliage and woodland effects. (Transmission = 56%).
 
Roscolux #386: Leaf Green
(Transmission = 32%).
 
Roscolux #87: Pale Yellow Green
Sunny spring mornings. (Transmission = 85%).
 
Roscolux #88: Light Green
Sunny spring mornings. (Transmission = 82%).
 
Roscolux #388: Gaslight Green
A yellow-green similar to the color emitted by gas lighting fixtures. Appropriate for period pieces: i.e. La Boheme, and useful for creating reflections from fields and meadows. (Transmission = 76%).
 
Roscolux #89: Moss Green
Useful for mood, mystery and toning. (Transmission = 45%).
 
Roscolux #389: Chroma Green
Suggests reflected light from dense foliage. A brilliant cyc lighting color which will work for chroma-keying effects in television production (Transmission = 40%).
 
Roscolux #90: Dark Yellow Green
Alternate primary where higher transmission is desired. (Transmission = 13%).
 
Roscolux #91: Primary Green
Primary green for three color primary system. (Transmission = 7%).
 
Roscolux #92: Turquoise
Useful for mood of mystery and for toning scenery that has been spattered in blues. (Transmission = 59%).
 
Roscolux #392: Pacific Green NEW!
Cyc Wash. Good Costume color. Magical on skin. (Transmission = 20%).
 
Roscolux #93: Blue Green
Useful for mood of mystery and for toning scenery that has been spattered in blues. (Transmission = 35%).
 
Roscolux #393: Emerald Green NEW!
An exagerrated green. Nearly double intensity as 93, less blue than 95. (Transmission = 14%).
 
Roscolux #94: Kelly Green
Fantasy and unrealistic effects. Unflattering on skin tones. (Transmission = 25%).
 
Roscolux #95: Medium Green
Used on foliage in moonlight areas or for creating a mood of mystery. Good for toning scenery painted in blues, blue-greens and greens. (Transmission = 15%).
 
Roscolux #395: Teal Green
A medium green-blue which can be used as a mystical special effect color. Also an interesting side or backlight color in concert lighting. (Transmission = 13%).
 
Roscolux #96: Lime
To simulate unnatural sunlight before and after a rainstorm or tornado. (Transmission = 98%).
 
Roscolux #97: Light Grey
Neutral greys to reduce intensity without affecting color temperature. (Transmission = 50%).
 
Roscolux #397: Pale Grey
A half stop neutral density. (Transmission = 70%).
 
Roscolux #98: Medium Grey
Helpful in balancing brightness of lamps of different wattage. (Transmission = 25%).
 
Roscolux #398: Neutral Grey NEW!
A very neutral filter to balance brightness of lamps of different wattage without changing the color temperature. (Transmission = 40%).
 
Roscolux #99: Chocolate
Warms light and reduces intensity. (Transmission = 35%).
 
Roscolux #100: Frost
Frost. Changes ellipsoidal to fresnel beam pattern. (Transmission not available).
 
Roscolux #101: Light Frost
Offers softened beam.Changes ellipsoidal into flood or scoop. (Transmission not available).
 
Roscolux #102: Light Tough Frost
Changes ellipsoidal into flood or scoop. (Transmission not available).
 
Roscolux #103: Tough Frost
Has twin qualities of wide diffusion and warm center. (Transmission not available).
 
Roscolux #104: Tough Silk
Creates a slash of light for stretching light along stairs, tables, cycs, etc. Diffuses while maintaining compactness of beam. (Transmission not available).
 
Roscolux #105: Tough Spun
Good on scoops for cyc lighting. (Transmission not available).
 
Roscolux #106: Light Tough Spun
Removes lens shadows. (Transmission not available).
 
Roscolux #111: Tough Rolux
Densest diffusion of the series. Spreads the light almost 1800. (Transmission not available).
 
Roscolux #112: Opal Tough Frost
Lighter than 100-103. An excellent diffuser for HMI, CID and CSI sources softening the beam slightly while maintaining excellent transmission. (Transmission not available).
 
Roscolux #113: Matte Silk
Good for striplights and specials. (Transmission not available).
 
Roscolux #114: Hamburg Frost
A very light frost; good on followspots and PAR lamps. (Transmission not available).
 
Roscolux #115: Light Tough Rolux
(Transmission not available).
 
Roscolux #116: Tough White Diffusion
A range of diffusion materials adapted from cinematography-used for softening the shadow of the beam while maintaining a relatively high color temperature because of the use of ultra-white pigments in the manufacturing process. (Transmission not available).
 
Roscolux #117: Tough 1/2 White Diffusion
A range of diffusion materials adapted from cinematography-used for softening the shadow of the beam while maintaining a relatively high color temperature because of the use of ultra-white pigments in the manufacturing process. (Transmission not available).
 
Roscolux #118: Tough 1/4 White Diffusion
A range of diffusion materials adapted from cinematography-used for softening the shadow of the beam while maintaining a relatively high color temperature because of the use of ultra-white pigments in the manufacturing process. (Transmission not available).
 
Roscolux #119: Light Hamburg Frost
Lighter than 114. Recommended for followspots and slight diffuse focus for ellipsoldals. (Transmission not available).
 
Roscolux #120: Red Diffusion
Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops. (Transmission = 12%).
 
Roscolux #121: Blue Diffusion
Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops. (Transmission = 8%).
 
Roscolux #122: Green Diffusion
Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops. (Transmission = 13%).
 
Roscolux #124: Red Cyc Silk
Combine a color with 104 Tough Silk. (Transmission = 12%).
 
Roscolux #125: Blue Cyc Silk
Useful in border and striplights to prevent scalloping; helps illuminate cycs and drops. (Transmission = 8%).
 
Roscolux #126: Green Cyc Silk
Useful in border and striplights to prevent scalloping; helps illuminate cycs and drops. (Transmission = 13%).
 
Roscolux #127: Amber Cyc Silk
A secondary color combined with 104 Tough Silk. (Transmission = 32%).
 
Roscolux #132: Quarter Hamburg Frost
(Transmission not available).
 
Roscolux #140: Subtle Hamburg Frost NEW!
(Transmission not available).
 
Roscolux #160: Light Tough Silk
Retains the diffusion properties of 104 but with less light loss. (Transmission not available).
 
Roscolux #162: Light Opal
A lighter version on the popular 112 Opal Tough Frost. (Transmission not available).
 
Roscolux #163: Powder Frost
A good medium cosmetic diffuser. (Transmission not available).